Just listening to the stream on The Guardian of the new Hole album, Nobody's Daughter. After a 12-year lapse, it was always going to be difficult to go back to the old moniker for Courtney Love (or is it Courtney Michelle?). And, indeed, to my ears, the record sounds in places like a bad Hole tribute band. What has happened to Courtney's vocals? I don't mean the raspiness that characterises them. I like that.
But, what's with the Dylan impression on "Someone Else's Bed"? Or the Billy Corgan-esque gymnastics on the otherwise standout "Honey"? Perhaps this is some in-joke between the two (before they fell out on Twitter.... again).
In any case, it's a record long on clever lyrics and overly-mannered vocals and a bit short on tunes. Much of it sounds like Celebrity Skin, which I found over-produced and rather drab. Perhaps this isn't a surprise, considering collaborators this time include Corgan and Linda Perry, not exactly grounded minimalists.
Perhaps it's too much to ask for Love to rise to the brilliance of Live Through This, though there are a few moments that recall its breathless mix of self-laceration and cattiness. It's good to have her back, and perhaps, with this comeback out of the way, she will re-discover her creative spark.
No comments:
Post a Comment