Showing posts with label Gina Birch. Show all posts
Showing posts with label Gina Birch. Show all posts

Tuesday, September 06, 2016

Punk.London?

I was very excited earlier in the year to learn of the Punk.London commemoration of the birth of punk. I haven't been to many of the exhibits, but have found them of varying quality. Still, there's time to revise that opinion. And of course there's the whole question as to whether punk should be commercialised in this way.

So far, I've been to the rather skimpy British Library exhibit which appears to really want to be a celebration of Sex Pistols and The Clash, while grudgingly acknowledging there were other bands. Viv Albertine's guerrilla intervention is much appreciated.

Albertine also turned up a couple of weeks ago on Mary Anne Hobbs's show, offering her views on failure, which I found quite interesting. It's not something one often hears acknowledged, much less celebrated and I didn't recall that as a theme in her memoirs, but apparently it was. Something of a punk philosopher is Viv Albertine. 

I was pleasantly surprised to discover my own borough is getting in on the act, with Punk Waltham Forest featuring exhibits and talks coming up this month, including a visit by Gina Birch to the local library. The revelation that Birch and Helen McCookerybook are making a film about women in punk was the highpoint of the BL exhibit. Can't wait for that to see the light of day.

Thursday, February 24, 2011

Best Gig Lineup Ever?

People of Gateshead, rejoice. You are about to be blessed with a superlative bill of punk and post-punk legends. Yes, Gina Birch, Viv Albertine and Helen McCookerybook are packing their gear into the latter's car (road trip!) to play Friday night at The Central Bar, there to be joined by Pauline Murray. Wow!!! Wish I could be there. It's rockin' oop north.

Thursday, February 25, 2010

Lorries and Loungers

Lyric sheet of Helen McCookerybook; photo by Val PhoenixBack from another show, a mixture of giddiness and exhaustion. I did my good deed for the day by pointing an errant Viennese lorry driver in the right direction, lest he send his load of Tische und Stühle crashing into a low-hanging bridge. He was very grateful for my efforts, as he didn't speak English. Finally, finally, the German lessons are paying off...

Last night was quite enjoyable, a worthwhile hike to the wilds of northwest London to see the debut of Club Artyfartle (still not sure about the name), an assemblage of five singer-songwriters showing off their new wares. This took an unusual form of all of them lining up on the stage and playing one song per "set", but with three sets. The mystery performer turned out to be Viv Albertine sporting a bloody finger, courtesy of some dangerous potato peeling.

Viv was the only one to play electric guitar, which is perhaps cheating, but she seemed at home among the acoustic stringed set: Martin Stephenson (very funny banter), Acton Bell (delicate playing), Katy Carr (massive voice, tiny ukulele) and club promoter Helen McCookerybook (good tunes and elaborately written lyrics--see above) all performed new material, with the odd fluffed note to prove it.

Aside from the music, I quite liked the cakes and casual conversation, especially as among the guests was Gina Birch discussing her new-found passion for knitting bags. Things I gleaned: more Raincoats gigs are coming and Gina is now blogging. I also met a cousin of a Mo-Dette, who told some great stories about being on the road with them back in the day.
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Saturday, September 26, 2009

Raincoats at NPG

Raincoats at NPG; photo by Val PhoenixWill be covering this gig for a feature on Gina Birch in Wears the Trousers, but wanted to share a few highlights from the Raincoats' Icon-i-coustics gig, in connection with the Gay Icons exhibit, at the National Portrait Gallery tonight.

Ana handed every member of the audience one of her drawings (mine features lyrics from "No Side to Fall In"). Gina showed a film about her icons made especially for the night. Shirley read poetry at the swanky 1940s radio mic that was far too tall for her. Anat Ben David recited from the SCUM Manifesto. The lights came up far too soon during the finale of "Lola". Truly an epic.

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