This British indie film is a real burst of fresh air, quirky, inventive and surprisingly moving. Pascal Bergamin is not a name with whom I am familiar, but the writer-director has crafted a delightful film, peopled by a brilliant cast, among them the luminous Tara Fitzgerald, Yasmin Monet Prince, Mark Lewis Jones and Jeany Spark, abetted by small cameos from Sheila Reid and Joseph Marcell.
These characters navigate around each other in an unnamed small British town with outstanding scenery. Everyone seems to live in a period cottage while Lewis Jones' character operates a small art gallery. Who are these people? How do they fit together? The film takes its time establishing links but I found it refreshing it was neither broad comedy, trite romance, nor heavy drama.
The titular portraits are small found photographs of women in unusual poses, from shooting to climbing. They are gathered by Ashley (Monet Prince) who is trying to establish herself in the art world and strikes up an alliance with John (Lewis Jones). Meanwhile Tina (Fitzgerald) and Steph (Spark) work in the same school, but in very different contexts. Steph is a teacher while husky-voiced Tina spends her days in a boiler suit skulking around toilets and testing chairs, as she is the school caretaker.
Watching Fitzgerald at work is fascinating, her way of inhabiting this moody, flinty character suggesting hidden depths. It's a marvellous performance and anchors the film, even if Spark and Lewis Jones have more showy parts.
Broken relationships, a dead dog, many unexplained financial issues. These all figure in this film but really it's a clever ensemble piece featuring flawed human beings attempting to find their ways through. A triumph.
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