If you did not have Dolly warbling alongside Paul McCartney, Pat Benatar and Kid Rock on your 2023 bingo card, well, join the club. I was speechless as I listened. Mostly for all the right reasons.
One could play a really fun game of Rock Wish List for a project like this. I would have loved to hear what Dolly could do alongside Tina Turner or a contemporary band like Idles. Hell, what about Ozzy Osbourne or Slipknot? But, no. It's a bit more safe, with a lot of her contemporaries and then a few "kids" like Miley Cyrus. No Lil Nas X? He was all over Twitter wanting her to appear on "Old Town Road" a few years ago. Perhaps for Rockstar v. 2 if that appears.
For this album, though, most of the superstars play quiet support to Dolly's vocals and it works well on such tracks as "Every Breath You Take" with Sting relegated to backing vocals. On "What Has Rock and Roll Ever Done for You" Dolly is clearly enjoying her back and forth with Stevie Nicks, but the song is not up to their talents.
When Dolly takes centre stage she really rules. "Purple Rain" is a gorgeous gospelly take on Prince's classic. Only someone like Mavis Staples could have enriched the vocal but Dolly's voice stands alone and I only wish the guitar solo had been a bit more commanding to build the power.
"Wrecking Ball" alongside Miley Cyrus is OMFG and Dolly goes there, quoting "I Will Only Love You" for the first time on the album. Will the video recreate the original? We can only wait.
"Satisfaction" done as a trio with Pink and Brandi Carlile is a proper stomper and quite fun.
When Lizzo and her flute turn up for "Stairway to Heaven" we know we have truly reached peak 2023 weirdness but it works a treat.
I love the trio of Emmylou Harris, Dolly and Sheryl Crow on "You're No Good", offering a tip of the hat to Linda Ronstadt, who also straddled country and rock back in the day.
Simon Le Bon, Steve Perry, Rob Halford and John Fogerty offer very little on their tracks but thanks for coming.
The truly bonkers finale features Dolly soloing on "Free Bird" and then basically restarting the song and duetting with the corpse of Ronnie Van Zant, courtesy of his widow allowing her the use of his original vocals. 10:45 is the duration of this album closer. It's exhausting and exhilarating.
Plus, there are B-sides and extended versions I have not heard. The mind boggles. Truly, Dolly, you are too generous.
Honestly, this is the most fun I have had listening to an album in ages.
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