Yesterday I saw no films at Flare, but did engage in stimulating discourse, courtesy of a panel, a networking lunch and extended social time.
The panel was the provocatively titled Where Are the Lesbians?, bringing together programmers, filmmakers and journalists. I took copious notes, but what emerged were several strands of debate, namely: why are there so few lesbian characters on mainstream TV; who authors these characters; why is it so difficult to get funding for films with lesbian characters. Not much was decided, though much frustration was expressed, and I was left feeling rather deflated by the prevailing gloom. There was a view expressed that things were better in the old days, when Channel 4 used to commission LGBT programming. And I do well recall seeing a lot of UK films in the early 1990s make their way across the pond, to be eagerly set upon by queer audiences in San Francisco. We were amazed a television station had funded them. That situation no longer exists, but was there ever a golden age of lesbian programming, really? It may be misplaced nostalgia. Are programmers more conservative now, asking lesbian filmmakers to tone down the queerness of their female characters? Or is it that the whole system has always been heteronormative and patriarchal? I smiled wryly when a young filmmaker who had self-funded her feature expressed the optimistic view that things will get better in years to come. Will they?
After the panel, I chatted to a few attendees, including Lisa Gornick, who had raised the vexed question of capitalism ever so briefly in the panel. In her experience, filmmakers see few financial returns, even if their work is distributed. She asked the question, not addressed in the panel: what is a lesbian film? Something made by a lesbian or something with lesbians in it? So many questions to consider. The only concrete plan that emerged is that Diva magazine has arranged a meeting with the BBC to ask why they keep killing off their lesbian characters. Other plans to increase distribution opportunities for queer films, via a UK festival network, may also be in the offing.
Then it was on to the extended social time, which culminated in a giant long table of dykes eating, drinking and chatting, with a bit of film talk thrown in. From small beginnings do revolutions grow.