On one of the sunniest days ever seen (possibly) in London, I cycled over to the Orford Road Social Centre to check out the offerings of the WIFF. Last year this was screened as part of the E17 Art Trail, but as that has been postponed, WIFF is a stand-alone event running across the weekend.
Each bill loops over an afternoon, and while they are meant to be alphabetical, some of the films I saw are showing in the programme as being on tomorrow. Possibly issues with translated titles.
And this is quite the international bill. Probably one-third of the films I saw were in Spanish. Not sure why the WIFF has cornered this market, but E17 has a global reach, clearly. With his grandiose productions, earnest voiceovers and sweeping orchestral music, Roman Reyes is bidding for Hollywood. Either that, or he has a future in perfume commercials. Ten Years After by Jose Ramon Carralero Herrera was an amusing reflection on shyness and smoking.
Two films featured ghosts of dead people. And many, many were accompanied by banal tinkly piano music that seems to code: sensitive. Is this a new rule for shorts?
My favourite was not properly credited in the programme. A French film on a 20th century faker, it featured beautiful black and white animation and a witty script. Not sure what it was called or who made it, though.
A different bill is on tomorrow from 14-17. Will it rain?